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An automotive filming in-house project

Camera Car

Built from the ground up.

Why DIY?

I (Samuel) have been making things from scratch for years. I've always been curious, hands on, and willing to figure a solution for things. The problem in this case was the entry cost to building out a system for camera rigs on a vehicle, and the challenge was to do it on a tight budget with no prior experience. The project started with Jeremy Clarkson's famous quote, "How hard can it be?". 


It turned out to harder than I thought :D

Creating Our Own Kit

My goal was to turn all this rigging into a somewhat polished kit for my own ease of use. Planning this portion out was a defining challenge for this project, but one I knew was worth tackling. I studied a lot of the current offerings on the market, and opted to get close to the excellent kit MotoCrane sells.


I'm proud to say that this SpeedRail based kit can theoretically rig up 80% of vehicles available with a tow hitch receiver and front bumper tow hook eyelet. Add in some heavy duty suction cups and appropriate adapters, and it'll work on almost anything, two or three times cheaper than other pro kits do it.

Deep Automotive Knowledge

I've worked on cars for a while now, but in the last five years, I really took that hobby to the next level. Pulling a drive-train out, wiring up external accessories, making some DIY parts, those are all accomplishable things that I've done at home by learning and trying.


Why is this important? It all goes back to the image from the camera rig hanging off the car. Having a deep understanding of automotive topics and camera equipment & tuning allows me to get the most out of a camera car setup. Suspension and chassis dynamics play a big roll in the end result, and the same can be said for vibration control. If you want the best result possible, you have to understand a bit of everything...

    Current Setup

    Suspension Arm: CineKit Shock Killer arm

    Suspension Arm: CineKit Shock Killer arm

    Suspension Arm: CineKit Shock Killer arm

    The CineKit Shock Killer arm is the basis of our current setup. It was designed to work in tandem with DJI's current Ronin RS gimbal offerings with only a few third party accessories needed to attach the gimbal properly. We use the DJI RS3 Pro right now.


    We are currently working with CineKit to help develop this arm further, and testing in scenarios like off-road and on track.

    Learn More about Cinekit Shock Killer

    Vehicle: 2007 Toyota RAV4

    Suspension Arm: CineKit Shock Killer arm

    Suspension Arm: CineKit Shock Killer arm

    My trusty '07 RAV4 is not something you'd opt for to use as a camera car, but it's what I have to work with. I've personally rebuilt the top end of the engine, swapped the transmission, dialed in new suspension, and have prepped it well. Suspension can be further tuned by me for more demanding needs. Rare to have a camera op who has good mechanic skills as well. It helps!


    Even at 330K miles, it's proven reliable under stress testing and it seats four comfortably for filming.

    Initial Development - DIY Arm

    Figure It Out

    At the beginning, I had no budget for an arm, or a contact with a company to work with one. I studied products on the market, and settled on using dimensions from the Proaim V530 as a base.


    Even though I (Samuel) failed Geometry in school, I'm much better at taking material in front of me, visualizing, measuring, and making something happen. A mix of steel, aluminum, rope wire, springs, and fasteners turned into a DIY arm and vibration isolator over a couple of weekends at home with a welder.


    Car tow hook and roof rack mounts were also something that needed to be made from scratch for rigging up my setup.

    Make It Work

    As I was putting the arm together, I was in the process of filming the first Driven Media episode, which we wanted rolling shots in. There was no time for testing prior, so it really came down to trusting my own work and seeing if it worked.


    I'm proud to say that the arm did work, and surprisingly well! The arm's adjustable spring preload made dampening adjustments pretty easy, and gave me a chance to make quick changes between takes. For an 80% result on the first try, that's sweet!

    The Result

    Time and effort to get this rig ready to film quickly was worth it. Was it perfect as a setup? No. Was it usable from a visual stand point? Yes, very! 


    For $1200 (SpeedRail, clamps, arm building / materials), you really can't do much better unless you're an engineer.

    See the video here

    Need a camera car for your project?

    Tell us your needs. A lot is possible!

    Contact Us

    Local service area is a 20 mile radius from Livermore, CA.


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